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Museum Quality Framing
- Light, humidity, mold, physical accident are just some of the everyday threats to the integrity and longevity of artwork and art objects.
"Museum quality framing" and its variations are practices designed to minimize and even prevent damage to artwork from these hazards.
- How your art is mounted, what kind of glass is used, how is the actual frame constructed: these are the essential questions of "museum quality" framing.
- If you have your own questions about preserving your valuables like museums do, call us for a consultation today.
We've been providing answers for artists, collectors, galleries and museums for 32 years.
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TOWARD COLOR
Don Strandberg
through October 31, 2009
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Automatic Cities: The Architectural Imaginary in Contemporary Art explores the myriad influences of architecture on contemporary art production. The architectural imaginary comprising images of sites and cities built and unbuilt, rising from collective experience and imagination.
The dynamic is mapped in an international context through the work of 13 individual artists (and one artists’ collective) hailing from around the globe: Michaël Borremans (Belgium), Matthew Buckingham (U.S.), Los Carpinteros (Cuba), Catharina van Eetvelde (France, born Belgium), Jakob Kolding (Germany, born Denmark), Julie Mehretu (U.S., born Ethiopia), Paul Noble (U.K.), Sarah Oppenheimer (U.S.), Matthew Ritchie (U.S., born U.K.), Hiraki Sawa (U.K., born Japan), Katrin Sigurdardottir (U.S. and Iceland, born Iceland), Rachel Whiteread (U.K.), and Saskia Olde Wolbers (U.K., born Netherlands).
Show opens September 26, 2009. Click here for more info.
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